The Highlight, Midtone, Shadow options in the CBA layer is the easiest way to translate his practices. The color balance adjustment (CBA) layer in Photoshop is similar to what he uses in Premier/Final Cut (colorista 3-way), but curves allow for a little more finesse. It's for video, but the methods translate very well to Photoshop. Another great resource on color grading is The Art of Color Correction series (lynda: ) by Simon Wallace. Great Tutorial! I like how you use the channel mixer, I'll definitely add it to my workflow. The first is by using curves, and the second is by using the selective color tool. In the video above you can learn two quick methods on how to apply color grading to your images in just a few minutes. This makes the subject in the frame pop and makes the whole scene visually appealing and interesting. If you pay attention when you watch movies, you will notice most darks are greenish/bluish and not black/gray, especially when people are in the frame. The cinematic look is known for its teal blacks/darks, which compliment skin color and make it pop. If you need help with understanding complementary colors, you can use Adobe's wheel of colors to know what colors work best with each other. The idea behind the cinematic look is to shift the colors so they compliment each other. Color grading can elevate any photo and give it that final touch and unique look. The process of color grading is something we as photographers should master and apply to our work, each one to his own taste.
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